£35.00
Author: Martin Gayford
Publisher: Thames & Hudson Ltd
About the Book:
Painting is an almost inconceivably ancient activity that remains vigorously alive in the twenty-first century. Every successful painting creates a new world, which we inhabit for as long as we care to look at it. Paintings can incorporate profound ideas and paradoxes that can be grasped without words. For those who dedicate themselves to it, the art of painting can become an all-consuming, lifelong obsession.
It is a subject on which painters themselves are often the most incisive commentators. Martin Gayford’s riveting and richly illustrated book deftly brings together numerous artists’ voices, past and present. It draws on a trove of conversations conducted over more than three decades with artists including Frank Auerbach, Gillian Ayres, Frank Bowling, Cecily Brown, Peter Doig, Lucian Freud, Katharina Fritsch, David Hockney, Claudette Johnson, Lee Ufan, Paula Rego, Gerhard Richter, Bridget Riley, Jenny Saville, Frank Stella, Luc Tuymans, Zeng Fanzhi and many more. Here too is Vincent van Gogh on Rembrandt, John Constable on Titian, Francis Bacon on Velazquez, R. B. Kitaj on Cézanne and Jean-Michel Basquiat on Picasso.
We hear the personal reflections of these artists on their chosen medium; how and why they paint; how they came to the practice; the influence of fellow painters; and how they find creative sustenance and inspiration in their art.
How Painting Happens crosses the centuries to give us a wealth of insights into the endlessly compelling phenomenon of painters and painting.
About the Author:
Martin Gayford has been art critic of the Spectator and the Sunday Telegraph. He is currently Chief European art critic for Bloomberg. Among his publications are- A Bigger Message- Conversations with David Hockney, Man with a Blue Scarf- On Sitting for a Portrait by Lucian Freud, Constable in Love- Love, Landscape, Money and the Making of a Great Painter, The Yellow House- Van Gogh, Gauguin and Nine Turbulent Weeks in Arles, The Penguin Book of Art Writing, of which he was co-editor, and contributions to many catalogues. He lives in Cambridge with his wife and two children.